Ricky Martin 

Superstar and illustrated man Ricky Martin is covered in ink and it’s glorious to see. The ex-boy band heartthrob has ink across his arms and torso, often featuring tribal and symbolic designs. They’re not overwhelming, but they absolutely enhance that sculpted, Latin, sun-drenched skin he’s made his trademark.



Keiynan Lonsdale

Entertainment triple threat Keiynan Lonsdale doesn’t have many tattoos, but what he does have are playful, colorful, and reflective of his fluid, joyful identity. He’s got a huge lion on his right hand which represents strength, resilience, pride and determination. Whether he’s shirtless on Instagram or dressed in full glam, his ink feels like a signature, a personal calling card that represents on the outside how he feels on the inside. He embodies a kind of queer freedom where style, sexuality, and art never fade.



Tom Daley

Tom Daley gives off an uncanny Peter Parker vibe, and the superhero comparison doesn’t stop there. Daley is an Olympic gold winning diver who, like Spider Man, leapt from great heights to make his mark. Daley’s tattoos are subtle but meaningful, often tied to milestones in his life and career. As an openly gay Olympian, his image blends wholesomeness with laid back sex appeal. His ink adds a layer of maturity to his otherwise clean-cut persona.



Gus Kenworthy

Olympian Gus Kenworthy’s entire right arm is like a graphic novel, each chapter a layered story about where he’s been and who he is. As one of the first openly gay action-sports stars, his visibility matters because it inspires others who feel “other.” 
His ink reinforces that laid-back, effortlessly cool energy while exuding masculinity and unmitigated control.



Halsey 

Women with tattoos almost never get the attention they deserve. But one such woman has perhaps become the role model for this kind of art. Model and artist Halsey, who is bisexual, makes her ink a part of both the editorial and the personality. She’s got dozens of pieces across her arms, shoulders, and torso, ranging from delicate linework to bold graphic designs. Visually, they give her that “beautiful graffiti” energy; indelible beauty marks both for the camera and her adoring fans. 



Matt Camp

IF you’re familiar with Matt Camp’s work, you’ve probably seen all of his tattoos and even places where there aren’t any. This prolific adult film and reality star isn’t shy about showing off his biggest organ, and by that we mean his skin. Matt’s got ink across his arms, chest, and torso that he shows off in his social media content. He’s masculine, confident, and a little rough around the edges, but he hits that sweet spot between fitness model and back-room fantasy, and the ink, objectively, is just a useful trap to lead you there. 



Adam Lambert 

He’s part rock singer, part pop singer which makes for a brilliant and diverse Billboard chart topping personality. “American Idol” alum Adam Lambert has built a bold, unapologetic queer music career around that identity and like a lot of solo musicians he’s done it using sex appeal. Part of that comes from the ink across his arms and torso, including some intricate, and high-art pieces. Adam made glam rock sexy again in both performance and persona; he’s the epitome of theatrical performance art both from stage to skin. 



François Sagat

The tattooed French adult star François Sagat feels like a classic muscle car in human form. He evokes that hardcore “I’m in control” masculinity so prominent in the ‘70s and ‘80s. And when we say tattooed, we mean it: his signature scalp tattoo, plus extensive ink across his body, make him instantly recognizable. He’s less mainstream Hollywood, more high-octane queer icon, which actually elevates his irresistibility even more.

Also among the streaming offerings worth your time this week, as selected by The Associated Press’ entertainment journalists: Country hitmaker Ella Langley releasing her sophomore album, Nintendo dropping the monster combat game Pokémon Champions and “Malcolm in the Middle” fans getting a four-episode revival with Frankie Muniz, Bryan Cranston and Jane Kaczmarek.

New movies to stream from April 6-12

— Sydney Sweeney stars as real-life boxing legend Christy Martin in David Michôd’s “Christy” (HBO Max, Friday, April 10). The film, which Sweeney also produced, drew some of her best reviews. Her distinctly unglamorous performance spans Martin’s small-town West Virginia beginnings to a professional career shadowed by her abusive manager-turned-husband (Ben Foster). In her review, AP’s Jocelyn Noveck wrote that Sweeney “imbues her no-holds-barred portrayal of Martin with both sweetness and rage, with brio and real vulnerability.”

— One of the highlights of last year, Akinola Davies Jr.’s tender father-son drama, “My Father’s Shadow,” begins streaming Friday, April 10, on MUBI. The film, penned by Davis and his brother, Wale, is loosely autobiographical. Their father died when they were young. But in “My Father’s Shadow,” two Nigerian boys have unexpected day with their father ( Ṣọpẹ́ Dìrísù ) in Lagos, at a pivotal time for the country. In her review, AP Film Writer Lindsey Bahr called it “a gem, a deeply felt memory piece and vibrant portrait of Nigeria in 1993.”

— Jonah Hill made his directorial debut with the coming-of-age skate film “Mid90s.” He returns to directing in “Outcome,” a Hollywood satire starring Keanu Reeves as a movie star named Reef Hawk who fears a video could destroy his reputation. Hill, who co-wrote the movie, also co-stars as Reef’s crisis-management lawyer. It debuts Friday, April 10, on Apple TV.

— AP Film Writer Jake Coyle

New music to stream from April 6-12

— A chart-topping country hitmaker preps her sophomore album: Ella Langley — known for such radio mainstays like the throwback “You Look Like You Love Me” with Riley Green and the George Strait-referencing No. 1 “Choosin’ Texas,” co-written with Miranda Lambert — will release a new record on Friday, April 10. If the whole of “Dandelion” is anything like those songs, she’s got a long career ahead of her.

— The English disco-pop singer Jessie Ware will release “Superbloom,” also on Friday, April 10. She’s as ready to soundtrack a late night on the dance floor as she's ever been — like on the single “Ride,” which interpolates the theme from the 1966 spaghetti Western film “The Good, the Bad and the Ugly” and melts into her sequined synths. “Come be my cowboy, baby, come, let’s ride,” she sings, more discotheque than honky-tonk. “You know I want you, I need you tonight, tonight.”

— AP Music Writer Maria Sherman

New series to stream from April 6-12

— “The Boys” launches its fifth and final season Wednesday on Prime Video. The critically acclaimed series is based on comic books and follows villainous superheroes and the crew trying to thwart them. Series regulars Jack Quaid, Karl Urban, Antony Starr, Erin Moriarty and Jessie T. Usher and Chace Crawford are all returning, as are more recent additions played by Jeffrey Dean Morgan and Jensen Ackles. “Hamilton” star Daveed Diggs also joins the cast.

— Hulu’s sequel to “The Handmaid’s Tale,” called “The Testaments,” also premieres on Wednesday. Ann Dowd reprises her Aunt Lydia character from the original and is now in charge of a school for girls that basically prepares them for adulthood, marriage and babies. These young women have never known anything other than Gilead. It stars Chase Infiniti and Lucy Halliday and is also based on a novel by Margaret Atwood.

— Elizabeth Banks and Matthew Macfadyen lead a new sci-fi comedy, “The Miniature Wife,” for Peacock. They play a couple working on their marriage when their lives are further complicated after an unusual accident. It premieres Thursday.

— Another series launching its fifth and final season is “Hacks” on HBO. The show, debuting Thursday, follows the love-hate relationship between a legendary comedian (Jean Smart) and a talented writer played by Hannah Einbinder. The series has racked up a lot of hardware, including an Emmy for outstanding comedy series. Smart has won four consecutive Emmys for the show while Einbinder has taken home one.

— Do you ever wonder how your favorite former TV stars would fare in the present day? “Malcolm in the Middle” fans are getting their wish. Twenty years after their show went off the air, Frankie Muniz, Bryan Cranston and Jane Kaczmarek return to TV for a revival where Muniz’s character is now a dad to a teenage girl. The four episodes of “Malcolm in the Middle: Life’s Still Unfair” premiere on Friday, April 10, on both Hulu and Hulu on Disney+.

— Alicia Rancilio

New video games to play from April 6-12

— Nintendo is pulling out all the stops to celebrate the 30th anniversary of Pokémon. Just a month after releasing the cozy community-builder Pokémon Pokopia, it’s dropping the considerably less comfortable Pokémon Champions. This time it’s all about the combat, as you recruit and train monsters before pushing them into the arena to fight other trainers’ creatures. You can compete in ranked events with players from around the world, or enjoy casual or private battles that won’t affect your ranking. It’s a free-to-start challenge, but you may want to set some cash aside for in-app purchases. The fight club opens Wednesday on Switch and Switch 2, with iOS and Android versions coming later in 2026.

— Annapurna Interactive’s People of Note tells the tale of a pop singer named Cadence who decides she wants to start a band. That means she’ll need to trek across the world of Note, where each city is defined by its own style of music. In her travels, though, Cadence learns that a Harmonic Convergence is disrupting music itself, and she and her bandmates will have to solve puzzles, explore dungeons and fight tone-deaf villains to stop Note from going silent. Los Angeles-based Iridium Studios promises that “each battle is an interactive musical performance,” and you can pump up the volume Tuesday on PlayStation 5, Xbox X/S and PC.

— Lou Kesten

He was looking to do the same on the last possession with Golden State down a point, but missed a long, straightaway 3-pointer.

No matter the result, Curry is back and healthy at long last for the Warriors after a right knee injury, and everyone at Chase Center celebrated right along with him in Golden State’s 117-116 loss to the Houston Rockets on Sunday night.

With Curry back, the Warriors hope to make it out of the play-in tournament.

"There were a lot of nerves all day, my family supporting me at home when I was a nervous wreck trying to pass the hours before I got to the arena but once you get back into your routine I've been doing it so long muscle memory takes over and the adrenalin takes over," Curry said. "I appreciate the fans and the reception and just the buzz that was in the arena because you know at a certain point you won't be able to tap into that. So very grateful, it was a beautiful day and now I can kind of settle in to how we're going to finish the year.”

Coming off the bench in the regular season for the first time in 14 years, Curry was greeted by a warm standing ovation and greetings on the big screen — he also expressed his gratitude on video — when he entered with 4:54 left in the opening quarter.

He immediately passed off for an assist on a dunk by Charles Bassey, who just signed with Golden State earlier in the day. Curry made a 3-pointer with 34 seconds remaining in the period.

“You can just feel it, we're back in the mix, we're back in the fight with Steph,” coach Steve Kerr said.

Curry finished with 29 points on 11-for-21 shooting and became the 26th player in NBA history with 9,000 field goals. He was 5 of 10 on 3s, playing 26 minutes.

Fans chanted “We want Steph! We want Steph!” during the fourth quarter, seemingly unaware of his minutes restriction.

This marked the first time he has come off the bench in a regular-season game since March 7, 2012, against Memphis. He last was a reserve in Game 4 of the first round of the 2022 playoffs during the Warriors’ last championship run.

Curry's pregame warmup is always a must-see show long before the main event, and the cheers were extra loud for his latest session now that he's finally back on the floor.

He was cheered before tipoff, too, and was supposed to play 24 minutes following a two-plus-month absence and 27 straight games sidelined because of a right knee injury.

He signed a few autographs after his shooting routine then missed his full-court heave before disappearing into the tunnel.

“He's one of the most beloved players in league history, Bay Area history in any sport and I think a long absence like this reminds everybody how lucky we are to see him, to watch him, to coach him, to play with him,” Kerr said. “So tonight's a special night because we're reminded of how lucky we've been and how lucky we still are.”

Kerr said before the game that it's still unclear how many of the remaining games Curry will play given Golden State has five contests in eight days with a back-to-back the rest of the way — and the expectation is he wouldn't play on consecutive nights.

The schedule will be determined by how Curry feels and input from Vice President of Player Health and Performance Rick Celebrini.

Soon, Curry will be starting again.

Rockets coach Ime Udoka knew Houston would have its hands full with No. 30 back.

“One of the best movers in the game,” Udoka said. "... Obviously, we’ve seen him enough and know some things that have hurt us in the past.”

Curry scrimmaged several times this past week to test his injured right knee, and he said Saturday it was never a consideration to shut it down for the rest of the season. Kerr hoped to have Curry and younger brother Seth finally play together.

At the 6:19 mark of the second quarter, they did — the first time brothers played together in Warriors franchise history, according to Elias. Seth Curry also has been injured much of the season.

Seth Curry did appear in six preseason games for Golden State in 2013 then played for the team’s G League Santa Cruz Warriors that year — with the brothers playing all of 100 seconds together during the fourth quarter of two games during that ’13 preseason.

“That was special,” Curry said. “We both had very difficult years, honestly him more than me with injuries. I was joking calling us the rehab brothers. It's been like that all year but to have that moment coming out of a timeout, talking about our matchups, I was having flashbacks to Charlotte Christian in high school my senior year, his sophomore year was the last time in an actual game. ... That was a dream come true to be honest, it hasn't really sunk in yet.”

Their mother, Sonya, was in the stands for the moment.

Curry warmed up in Kevin Durant's “Scoring Title” Nike KD 4s with former teammate Durant playing for the Rockets.

After Saturday's practice, Curry said dealing with the pain is part of his “new normal” and the offseason will require a significant reset.

The 38-year-old Curry initially expected to be playing right after the All-Star break, but the recovery was prolonged by some difficult moments when he would feel good, push hard then pay for it the following day.

The Warriors (36-42) lost their fourth straight game. They were 13-25 this season without Curry — including 9-18 during the recent stretch with him sidelined by patellofemoral pain syndrome.

Curry was thrilled to battle Durant again — knowing these moments won't last forever. The feeling was mutual.

“Amazing,” Durant said about Curry’s comeback night.

Off went the jackets and backpacks, on came burgundy cassocks and white surplices. Then they trooped into the cathedral, opened their mouths and sang as one. The youthful gaggle had become a choir, giving voice to a tradition of choral music in the Church of England that has survived largely unchanged for almost 500 years.

“I think for me, it’s one of the sounds of our country,’’ said Adrian Bawtree, the choir’s music director. “All of our cathedrals are beautiful, sacred spaces where you can come and just sit and be and you can be immersed, bathed, nourished, sent out back into the world transformed by an experience in 30 minutes.”

The epitome of that tradition is Choral Evensong, an evening service of hymns, psalms and prayers laid out by Archbishop Thomas Cranmer, the first Protestant archbishop of the Church of England, in 1549. The service is performed by the choir, with the congregation participating simply by listening.

But that tradition is under threat as the demands of modern life, declining church attendance and tight funding make it harder to find and train the next generation of choristers.

Enthusiasts are trying to reverse that, launching a campaign for the government to recognize English choral services as an important part of Britain’s culture under a U.N. program that seeks to protect “intangible cultural heritage,” as well as historic buildings and natural wonders.

Traditions strengthen identity

The U.K. government is seeking nominations for a nationwide inventory of cultural traditions — from Morris dancing to the craft of building dry stone walls — that should be preserved. Protecting such traditions is crucial to strengthen community identity and bolster the U.K. economy as heritage tourism generates billions of pounds in annual spending, the government says.

While many people have been introduced to English choral services through the angelic voices of the choristers in flowing robes and Elizabethan ruffs who sing at royal weddings and carol services, choirs perform every day in much more humble settings.

And many are struggling, according to the Cathedral Music Trust, which was founded in 1956 to stem the decline of church music after World War II. Last year it gave 500,000 pounds ($661,000) to 28 cathedrals and churches around the country.

It can be a lot. Rochester, for example, spends about 250,000 pounds ($330,000) a year on music, a substantial outlay for a provincial cathedral but less than some.

The trust hopes recognition of the English choral tradition will bring attention and much-needed funding to choirs, which it says are an important training ground for the musicians of tomorrow, both religious and secular.

“Whilst it happens every day, it is actually quite fragile,” trust CEO Jonathan Mayes said. “It takes an awful lot of work and it takes a lot of funding to actually make it happen and that doesn’t come without effort.’’

Evensong links the present day to the Protestant Reformation

Preserving Evensong is important historically because the service was instrumental in the development and spread of the modern English language, said Diarmaid MacCulloch, an expert on Christianity and an emeritus professor at the University of Oxford.

The service is based on the Book of Common Prayer, compiled by Cranmer to make English the language of the Church of England after it broke away from the Latin-dominated Catholic Church during the Protestant Reformation.

The idea was to create services everyone could be part of.

“It is very much a drama, and it is a drama which has been performed by the people of England from 1549 through to the present day,” MacCulloch said. “It’s far more a vehicle of public consciousness performance than any play of Shakespeare.’’

And while a growing number of choirs including Rochester now take girls as well as boys, in other respects it hasn't changed much since then.

“The service would be really quite recognizable to Queen Elizabeth I as much as Queen Elizabeth II," MacCulloch said. "And that’s quite remarkable.”

The power of music to transform lives

Bawtree, the music director at Rochester Cathedral, is one of those working to preserve the tradition as he oversees the youngest singers, aged 9-13, known as choristers, as well as a youth choir for older children. All are backed by professional adult singers.

Bawtree said he was captured by church music the first time he heard an organ play and a choir sing when he was about 9 years old. Now he wants people to know that services like Evensong make it possible for anyone to turn up and listen to beautiful choral music, regardless of their beliefs.

“When I heard it, it was like big octopus arms came and grabbed me and said, ‘You’ve got to be part of this.’ So I think I am trying to speak to that 9-year-old child and saying actually this is something that could speak to most people, if not everyone.

“And because I had that experience, I would like to share that with future generations and be passionate about that," he said. "We talk in the world of mindfulness and the power of music to transform lives. This is an extraordinary arena where that can happen.”

The two-time All-American did her homework following a season-low points in UCLA's only loss of the season, applying what she gleaned from the game film to help take down Texas in the rematch.

Betts opened up about her mental health issues, the honesty taking a weight off her shoulders while, hopefully, helping others facing their own darkness.

This life of hers has been a pursuit of perfection — or at least the best version of herself — and Betts capped the college basketball portion of it by reaching the pinnacle of her sport with one final dominating performance.

UCLA won its first NCAA national championship with a 79-51 blowout of South Carolina on Sunday and Betts, as she’s been throughout her career, was the catalyst at both ends of the floor.

“I showed up with zero confidence and wasn’t sure if I wanted to really play basketball for that much longer,” Betts said. "Coach Cori (Close) really believed in me and wanted to see me accomplish everything that I’d ever dreamed of. They wanted me to see myself the way they all see me and and I feel like now at this point I can finally, truly do that.”

The 6-foot-7 senior shook off a first-half coughing fit — the dry desert air got to her — to finish with 14 points, 11 rebounds and two blocked shots. She altered and prevented even the thought of several others at the rim to give UCLA its first national championship since taking the 1978 AIAW title.

“She’s a very dominant player,” South Carolina's Tessa Johnson said. “She's consistent and effective. It's hard to scout that.”

Betts had a similar impact in UCLA's 51-44 shutdown of Texas in the national semifinals, a 16-point, 11-rebound, three-block performance that set the stage for her to be selected as the Final Four's most outstanding player.

So what if there wasn't a trophy at the announcement.

Betts got to share a national championship with her younger sister, Sienna, a freshman on the team, along with friends and family in the stands.

“They were crying more than I was because they’ve seen me since my sophomore year, just how I matured and it has been really special for them,” Betts said. "They mean so much to me.”

The closing flourish capped a rocky-at-times career.

Betts was the nation's No. 1 high school recruit out of Grandview High School, in Aurora, Colorado, and chose to play at perennial powerhouse Stanford. She had a solid freshman season, but the building mental health issues she had been struggling with began to bubble closer to the surface even after she transferred to UCLA.

Betts opened up about her struggles last year and expounded upon it in a recent first-person story, in which she detailed the brutal hospital conditions and the epiphany once she got out — that she wanted to be here.

“I just feel like for me, basketball and this platform that I’ve been given, I was put on this earth to do more than play basketball,” Betts said. “I think the journey I’ve had, the hardships I’ve went through are to help other people.”

Betts dedicated herself to getting better, on and off the court, and became one of the nation's best college basketball players.

She was UCLA's first Associated Press All-American a year ago and backed that up with another All-American nod after averaging 18.5 points and 7.6 rebounds while shooting 60.1% from the field and leading the Bruins with 71 blocked shots.

With Betts anchoring the middle, the Bruins (37-1) one-upped the program's first trip the Final Four last year with the best season in history.

UCLA reeled off a school-record 31 straight wins following the 76-65 loss to Texas, including the payback win in the national semifinals. The Bruins then erased memories of last year's blowout Final Four loss to UConn with its first NCAA national championship.

Betts, as usual, was at the center of it all, the best version of herself leading to the greatest moment of her and her teammates' lives.

Universal Pictures released the sequel globally on Wednesday, capitalizing on kids’ spring break vacations in the week leading up to the Easter holiday. With an estimated $182.4 million from 80 overseas markets, the film is looking at an astronomical $372.5 million debut — the latest hit for the PG rating. Mexico is leading the international bunch with $29.1 million from 5,136 screens, followed by the U.K. and Ireland with $19.7 million.

The animated sequel, Illumination CEO Christopher Meledandri's 16th movie in 16 years, is the industry’s biggest debut since “Avatar: Fire and Ash” launched over Christmas. The Chinese movie “Pegasus 3,” which was not a Motion Picture Association release, has the slight edge for the 2026 global record, however.

It’s also a dip from the first film, which opened to $204 million domestically during the same five-day time frame in 2023 ($147 of that was from Friday, Saturday and Sunday). “The Super Mario Bros. Movie” went on to be the second biggest movie of 2023, with over $1.3 billion in box office receipts.

“The Super Mario Galaxy Movie,” which features returning voice actors Chris Pratt, Jack Black, Anya Taylor-Joy and Charlie Day, had a massive footprint in the U.S. and Canada, where it played in 4,252 theaters, including 421 IMAX and 1,345 premium large format screens. It made $15 million from the IMAX screens alone.

“It’s exactly the kind of broad, crowd-pleasing release that brings people into theatres,” AMC Chairman and CEO Adam Aron said in a statement.

It also cost around $110 million to make, not including marketing and promotion expenses. But it arrived on a wave of less-than-stellar reviews. Its Rotten Tomatoes score is currently sitting at a lousy 40%. Ticket buyers were more enthusiastic, however.

The family audience gave the movie five out of five stars according to PostTrak exit polls, while general audiences gave it four stars and an A- on CinemsScore. Audiences skewed male (61%) overall, although when it came to families attending there were slightly more moms (52%) than dads.

“These kind of audience reaction scores just point to a ridiculously strong run, not only throughout the spring, but likely into the summer as well,” said Jim Orr, Universal's president of domestic distribution.

“The Super Mario Galaxy Movie” will open in Japan later this month.

Last year, the first weekend in April hosted the launch of another video game blockbuster, “A Minecraft Movie,” which had a bigger three-day debut ($162.8 million) but didn’t have a “Project Hail Mary” in a strong second place, meaning the weekend overall is still up around 5%.

As expected, “The Super Mario Galaxy Movie” ended the two-week reign of the Ryan Gosling-led sci-fi hit “Project Hail Mary,” which landed in second its third weekend in theaters where it added $30.7 million, bringing its running domestic total to $217.2 million. Worldwide, it's made $420.7 million to date.

Third place went to A24’s provocative new movie “The Drama,” starring Zendaya and Robert Pattinson, which made an estimated $14.4 million from 3,087 theaters. The film’s stars have been on a massive and charming press blitz to promote their R-rated movie about a engaged couple grappling with an unnerving revelation, which cost a reported $28 million to produce. The reveal has drummed up a fair amount of cultural discourse. While reviews have been more positive than not (82% on Rotten Tomatoes), it got a less promising B CinemaScore.

“Hoppers” and “Reminders of Him” rounded out the top five. And the box office outlook looks bright overall, up around 30% from last year.

“There’s no better opening act for a great summer than a huge month of April powered by a mega blockbuster like the 'The Super Mario Galaxy Movie,'" said Paul Dergarabedian, comscore's head of marketplace trends.

Top 10 movies by domestic box office

With final domestic figures being released Monday, this list factors in the estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore:

1.“The Super Mario Galaxy Movie,” $130.9 million.

2.“Project Hail Mary,” $30.7 million.

3.“The Drama,” $14.4 million.

4.“Hoppers,” $5.8 million.

5.“Reminders of Him,” $2.2 million.

6.“A Great Awakening,” $2.1 million.

7.“They Will Kill You,” $1.9 million.

8.“Dhurandhar The Revenge,” $1.9 million.

9.“Ready or Not 2: Here I Come,” $1.8 million.

10.“Scream 7,” 915,000.

Pepsi already has withdrawn its lead sponsorship role of the Wireless Festival at Finsbury Park in north London between July 10-12. Other sponsors of the event, including Budweiser and PayPal, are being urged to follow suit.

Pepsi didn't provide an explicit reason for its decision to pull out of the event, even though publicity for the festival promoted the event under the branding “Pepsi presents Wireless.”

“Pepsi has decided to withdraw its sponsorship of Wireless Festival," the company said in a statement Sunday.

Ye was booked perform in front of around 150,000 revellers over the course of the festival’s three nights.

Ye, formerly known as Kanye West, changed his name in 2021, and he has drawn widespread controversy in recent years for a series of antisemitic remarks, and has voiced admiration for Adolf Hitler. Last year, he released a song called “Heil Hitler” — a few months after advertising a swastika T-shirt for sale on his website.

The 48-year-old musician apologized in January for his antisemitic remarks in a letter published as a full-page advert in the Wall Street Journal. He said his bipolar disorder led him to fall into “a four-month long, manic episode of psychotic, paranoid and impulsive behavior that destroyed my life.”

Fans of his at a sold-out concert Friday at SoFi Stadium in Los Angeles, his first major U.S. performance in nearly five years, appeared to separate his personal beliefs and public statements from his music — and were ready to forgive after his January apology letter.

However, Starmer said it was “deeply concerning” that the rapper was booked to perform at the long-established festival,

“Antisemitism in any form is abhorrent and must be confronted clearly and firmly wherever it appears," he said in remarks published by The Sun on Sunday newspaper. "Everyone has a responsibility to ensure Britain is a place where Jewish people feel safe and secure.”

Ye's scheduled appearance follows signs of growing antisemitism in the U.K.

Two men and a 17-year-old boy were ordered to remain in custody on Saturday on charges of torching four ambulances run by a Jewish community-service in northwest London. And last October, two men died in an attack on a Manchester synagogue.

Phil Rosenberg, president of the board of deputies of British Jews, said it was “absolutely the wrong decision” to allow Ye to play.

Wireless Festival didn't immediately comment when contacted.

Gabriela Jaquez, Lauren Betts and the rest of the UCLA seniors secured the first NCAA women's basketball national championship in school history — a goal that was set after losing in the first Final Four last season.

Jaquez scored 21 points, Betts added 16 and UCLA routed South Carolina 79-51 Sunday in the title game.

“I knew we were going to do it. Coming to UCLA we all set out for a goal, and I imagined this moment,” Jaquez said. "I imagined it so many times, and I am just so, so proud. ... Crying a lot, the confetti, all of the fans being here to support us, my family being here, it just means everything. Celebrating with this group, like ... I’m so happy.”

The near-record lopsided victory completed the Bruins’ journey through this year’s March Madness. The Bruins ran through their opponents this season with their only loss coming in November, to Texas in a Thanksgiving tournament.

“It’s immeasurably more than I could ask or imagine,” UCLA coach Cori Close said. “It’s beyond my wildest dreams.”

UCLA (37-1) was led by Betts and her fellow seniors and graduate students, like Jaquez — who played all four years with the Bruins. She also had 10 rebounds and five assists in front of her brother Jaime, who plays for the Miami Heat and flew in to attend the game to watch his alma mater win.

The group that coach Close put together through a combination of high school commitments and transfer portal players capped off their stellar careers with a championship, scoring all the points in the title game.

“Connectivity. Attention to detail. You know I looked them in the eyes before in the locker room, before the game, and I said, ‘I’m so proud to be able to say this,” Close said. "Because all year we’ve been saying the talent is our floor, but our character will determine our ceiling.’”

The title is UCLA’s first since winning the 1978 AIAW championship, which was the postseason tournament for women’s basketball before the NCAA took over in 1982.

The championship game loss was the second straight for the Gamecocks, who won the title in 2024. Dawn Staley and her Gamecocks (36-4) will be favored to return to the game’s biggest stage with a talented group of expected returnees, led by Joyce Edwards and Agot Makeer.

Like their 51-44 semifinal win over Texas, the Bruins were locked in defensively, anchored by Betts. She finished with 11 rebounds and exited the game with 3:45 left, giving Close a huge hug. The 6-foot-7 senior earned Most Outstanding Player honors of the Final Four.

“UCLA is a quality team with very experienced players who got a taste of being in the Final Four last year, and you make adjustments,” South Carolina's Staley said. "From last year to this year -- they played determined last year, but they played more determined this year because they were so close.”

Offensively, the Bruins had a much easier time than in the semifinal game that saw the team score only 20 points in the first half. The Bruins surpassed that total in the opening 10 minutes against South Carolina. Kiki’s Rice 3-pointer just before the first-quarter buzzer made it 21-10 as the Bruins got off to a strong start and South Carolina struggled with 17% shooting, it’s poorest quarter of the season.

The Bruins extended the lead to 15 points in the second quarter by clogging up the paint on defense and working the ball inside on offense for a 36-23 lead at the half.

UCLA put the game away in the third quarter, opening the period with a 12-3 run. Jaquez had five points during the spurt. South Carolina never threatened again as the Bruins outscored them 25-9 in the period.

“We just didn’t have it today. We tried, but we just didn’t have it today,” Staley said. "They were the better team.”

South Carolina avoided the most lopsided loss in championship history of 33 points, set in 2013 when UConn defeated Louisville. The Gamecocks also surpassed the title game record low of 44 points by Louisiana Tech in 1987 against Tennessee.

The Gamecocks were trying to cement their name as the premiere program in the sport with a fourth championship and third in the past five seasons. It just wasn’t meant to be Sunday as they had their worst shooting game of the season against a talented UCLA team.

“This is not the ending we wanted, but we got here. No one thought we would, and we did it,” said Tessa Johnson, who led South Carolina with 14 points.

Makeer added 11 for the Gamecocks.

“The score speaks for itself.” said Gamecocks senior Raven Johnson, who played in five Final Fours in her career.

Close has been at UCLA for 15 seasons, but her connections go deeper with the school as she was mentored by the legendary Bruins men’s coach John Wooden, who won 10 national championships at the school.

Their bond began when she was 22 years old and he was 83. She shares the same first name with one of his great-granddaughters. Close visited Wooden bi-weekly, adopting his “Pyramid of Success” and focus on character and its paid off with her team.

“Coach Wooden always said, ‘You got to do it the way you’re wired to do it, not the way anyone else did.’ And I just tried imperfectly to stay true to that," Close said.

Ryswyk made the announcement during an interview on GayFL, a radio show on Australia's LGBTQIA+ broadcaster JOY 94.9. He revealed that he has been out to close friends for the past five years.

His AFL career was brief, consisting of a single game for the Brisbane Lions in 2005 against Fremantle, during which he suffered a quad strain injury. Ryswyk was delisted after that match but went on to have a distinguished career in the South Australian National Football League with North Adelaide, where he played 226 games between 2006 and 2018.

Ryswyk is the second former AFL player to come out as a member of the LGBTQIA+ community, following West Coast Eagles defender Mitch Brown, who revealed he is bisexual in August 2025. No active AFL player has publicly come out as LGBTQ+ to date.

In the GayFL interview, Ryswyk expressed confidence in the AFL community's response to any future coming out by an active player. "I think the AFL, and the community, will wrap their arms around that player," he said.

This milestone comes amid growing visibility for LGBTQ+ individuals in Australian sports, particularly in AFL, a sport deeply embedded in the nation's culture. JOY 94.9, the platform hosting the interview, is recognized as Australia's leading LGBTQIA+ broadcaster, providing a supportive space for such personal disclosures.

Ryswyk's announcement has been widely covered by mainstream and LGBTQ+ media, highlighting its significance for gay men and broader LGBTQ+ communities in sports. For transgender people and other LGBTQ+ identities, such visibility in male-dominated team sports like AFL underscores ongoing progress toward inclusion, though challenges persist for active players.

The event aligns with broader conversations in Australian sports about diversity, where AFL has implemented inclusion initiatives, yet personal stories like Ryswyk's remain rare. Community responses, as reflected in media coverage, emphasize support and the potential for Ryswyk's step to inspire others.

Ryswyk's SANFL achievements, including his extensive games record, add weight to his voice within football circles. His coming out on a dedicated LGBTQIA+ platform like GayFL on JOY 94.9 signals a welcoming environment for gay athletes.

This development is particularly resonant for LGBTQ+ sports enthusiasts globally, as AFL's international fanbase grows, potentially paving the way for more openness in similar codes. Ryswyk's optimism about community embrace reflects perspectives from LGBTQ+ advocates who note increasing allyship in Australian football.

Here are some queer people who live the van life on the regular and don’t mind how far the grid is in their rear-view windows. 

Wander Free and Queer  

These queer wives are finding adventure outside of their backyard— way beyond their backyard. What makes them stand out is how much they immerse themselves in the van lifestyle. From handmade goods to storytelling about queer identity on the road, their page isn’t a travelogue, but about making personal space and being peace within it. 



Tylerandtodd

There’s no denying that Tyler and Todd are a cute couple. They are definitely outdoorsy types and love to go on adventures in their converted Ford Transit Van. You can see some of those road trips on their YouTube channel. But this dynamic duo isn’t just living in close quarters on the road, they’ve also made a beautiful container home. Tyler and Todd represent a newer wave of queer creators who aren’t just chasing adventure—they’re building it right under their feet.



The Forester Boys 

For RV-ers Brendon and Benji, or The Forestar Boys, living in a moving house is more of an exploration of nature than a necessity. The couple seem deeply tied to the community and queer joy could be their spirit name. Their content often centers around camping culture, road trips, and gatherings at LGBTQ+ campgrounds. They blend the scenery with moments of connection to people and nature.  Almost like the Renaissance Faire they want to have social gatherings that are playful but rooted in chosen family. They haven’t posted anything in a while, but it’s worth scrolling through their history to see where they’ve been. 



James & Paul’s RV Adventures

Longtime couple and caravan members James and Paul have miles of experience behind them both on the road and in their relationship; 29 years to be exact. It’s a long-term love story that evolved into a life on the road. Together for decades, they’ve spent years traveling cross-country (often with their dog in tow), returning again and again to places they love—especially the desert Southwest.  There are no straight lines in a true adventure and maybe they’ve been together for so long because together they can bend with the road. 



Homos on Wheels  

Unpretentious and self-aware this intrepid RV couple, Kirsten and Jenna, are humorous and don’t take themselves too seriously (just read the name of their Instagram page). They aren’t trying to hard sell anything, their domestically is what makes them relatable and that says it all. Homos on Wheels makes you feel like a houseguest. Their relationship is front and center—not in a performative way, but in a way that highlights partnership, communication, and shared adventure. It’s queer life in a perpetual road trip where love exists in everyone’s personal space. And maybe they’ve world could use more of that.