At least that’s what his Instagram feed feels like. His content often feels like a travel diary but with a fashion twist. 



You’ll see some sexy moments in Panama, seaside shoots, and collaborations with other models and photographers. 



Rather than relying on shock or overt provocation, his appeal comes from atmosphere; he’s got a boy next door charm that reads like virtue and naivety. 



That being said, it’s also the kind of profile that wreaks of sexual energy. He looks guiltless, but that doesn’t mean he is. 



He creates dopamine hits through shots of his pristine physique and mysterious magnetism. 



There’s a quiet pull there, the kind that makes you curious in ways you don’t fully understand, but you stew in the fantasy. 

Throughout his career, Claybourne has received nominations from award bodies including the Grammy, Screen Actors Guild, Drama Desk, and Lucille Lortel. Recently, Elder is widely known for playing John Adams on HBO’s hit series The Gilded Age and for his recent turn on Broadway in the Tony Award-winning revival of Company. His extensive stage career includes Bonnie and Clyde, Sunday in the Park with George, Torch Song, Wild Party, and Sondheim on Sondheim, among many others. 

Beyond the stage and screen, Elder is the founder of City of Strangers, an initiative that provides free Broadway tickets to people who might otherwise not have access. The program has given away more than 3,500 tickets and has received national attention from This American Life, CBS This Morning, and The Kelly Clarkson Show. 

With If The Stars Were Mine, Elder steps fully into his own voice—and sat down with us to talk about the stories, memories, and moments that shaped the album.

EDGE: This is your first solo album. Why did this feel like the right moment to step out on your own?

CE: That’s a great question—it’s really a few different things. Several years ago, I started doing this concert: an evening of music woven together with storytelling. Over time, I kept shaping it and writing it, and it eventually turned into this kind of stand-up show—almost like my own TED Talk, but with music. As I built it, it became filled with my favorite songs.

When I became a parent, I started thinking a lot about time—about the things we hold onto, the things we pass down, and what we leave behind. I had created something I was incredibly proud of, and someone said to me, “I’d love to see this as an album. I’d love to own it and listen to it.” And I thought, I’m going to do it.

As an actor, it can be very easy to be someone else’s paint on their canvas—to wait for the call and step into someone else’s vision. There’s creativity in that, of course, but deciding to make something that’s truly, authentically me was both terrifying and thrilling. I kept thinking about my son having this forever, maybe even playing it for his kids someday. And honestly, that was enough for me to say, all right, I really want to do this.

EDGE: With this being your first solo record, how intentional were you about defining what a “Claybourne Elder album” should sound and feel like?

CE: Yeah—and I think that can be a little strange sometimes. People ask me what the album is like, and I always say it doesn’t really sound like a jazz album, and it’s not strictly a musical theater album either. There are definitely musical theater references throughout, but hopefully they’re arranged in ways that feel interesting and different.

That was something I cared deeply about from the very beginning. Even when I was choosing the songs, I sat down with my music director and one of the producers to really talk through it: These are the words I want to say, this is the music—but what is the experience going to feel like?

There’s a song on the album, “Till There Was You,” which is not only a great jazz tune but also a musical theater song. I’ve always felt that it’s incredibly beautiful—but also very sad. It’s full of longing, and there’s a kind of heartbreak woven through it. Funny enough, it wasn’t even supposed to be on the album. One day in the studio, we had about fifteen minutes left, and I said, “Wait—there’s a song.” I pulled up the chords on my phone and ran it. I was so lucky to be working with an incredible band. I basically put it in front of them and said, “Great—the guitar will take the intro, you’ll take a verse, and then we’ll sing it again.” We did it in one take, and it ended up on the album.

All of the songs are ones I’ve either been singing my whole life or thinking about my whole life.

Casey McQuiston

The craze that Casey McQuiston created with their work “Red, White and Royal Blue” is still palpable. The film adaptation brought queer awareness to the literary space and added to the ever-growing gay romantic comedy genre which thanks to their book has become a prominent theme in mainstream cinema. When asked how it felt writing a bi character, Casey — who is bisexual herself — said : 

“It feels amazing! I love being bi. There are so many layers and shades of it to explore, I think it has really forced me to spend more time with my own feelings and get to know myself better. There are so few bisexual leading characters in media.”



Torrey Peters

Torrey Peters burst onto the literary scene with her deeply personal novel, “Detransition, Baby,” it’s culturally important because one the problem with mainstream society regarding trans issues is the lack of education. Her writing explores gender, relationships, and identity, making her one of the most talked-about and important voices in contemporary fiction.



Akwaeke Emezi

A genre-defying storyteller, Emezi brings a distinct voice to queer fiction through novels like “Freshwater.” That profound work challenges traditional narrative structures by narrating from different points of view, and it gets into exploring identity, and spirituality. It’s a journey from birth to self-realization. Emezi has this to say about her experience writing it. “Oh, it was terribly difficult to write. There was a lot of trauma revisited, and doing so through the lens of Igbo ontology was unfamiliar and terrifying, especially at first.”



Ocean Vuong

Modern queer writers who explore multiple genres allow many eyes to experience their works and therefore many markets. While mostly known as a poet, Ocean Vuong’s fiction has captured wide attention for its emotional depth and lyrical style.  His “On Earth We’re Briefly Gorgeous” introduces readers to a relaxed and introspective form of queer storytelling that explores social hardships and cultural dynamics. It might be tough to read in some parts, but the story isn’t unique.



Kacen Callender

Kacen Callender is a prolific and versatile writer, whose stories span genres—from contemporary to queer and trans characters. Mostly aimed at Young Adults, Callender explores perspectives not readily available in mainstream fiction. Their work, “Felix Ever After” speaks directly to younger audiences who might be navigating their own identity and working toward self-acceptance. Reading their books might be a rite of passage for some young bookworms. 



Carmen Maria Machado

Horror and fantasy are popular genres among queer people and Carmen Maria Machado provides perspectives in that genre not often written about in the contemporary world. Her works are geared toward YA readers but center around gay and trans characters. “Her Body and Other Parties” is a collection of short stories that should be read because of its inventive narratives and untapped sexually dynamic storytelling. 

The couple shared the pregnancy announcement through an Instagram post with the caption "Something exciting coming October 2026," accompanied by a video showing Brown and Keck smiling together in a photobooth before holding up a positive pregnancy test. In the video, Keck stands while Brown kisses her stomach, with the couple visibly unable to contain their excitement about the impending arrival.

Brown announced the pregnancy to his more than 31,000 Instagram followers, and the news was met with congratulatory comments from friends and supporters. While this will be the first child for Brown and Keck together, Brown is already a father of two sons, Bowie and Rudy, whom he co-parents with his ex-wife Shae Bolton-Brown, a former Australian netball player. Brown and Bolton-Brown separated after 16 years of marriage.

The pregnancy announcement comes approximately seven months after Brown made international headlines by becoming the first current or former AFL player to publicly come out as LGBTQ+. In August 2025, Brown revealed to The Daily Aus: "I played in the AFL for 10 years for the West Coast Eagles, and I'm a bisexual man." At that time, Brown expressed his hope that his public disclosure would inspire broader cultural change, stating he wanted to demonstrate that "you can be anyone and be safe in any environment."

Bolton-Brown publicly supported Brown when he came out, demonstrating solidarity with her ex-husband's decision to live openly. Brown's visibility as an openly bisexual man in professional sports has been significant for LGBTQ+ representation in Australian football, a sport historically dominated by heteronormative culture.

The announcement of Brown's growing family marks a personal milestone for the athlete and his partner as they prepare for parenthood together later this year.

Following an NHL-record 14 seasons of futility, during which the team finished no better than 19th in the league, the Sabres clinched a berth on Saturday when the New York Rangers defeated the Detroit Red Wings in regulation. Buffalo's playoff drought was among the four North American major sports’ longest active streaks, ranking second behind the NFL's New York Jets, who last qualified in 2010.

The Sabres clinched with six games left in their season, before being beat 6-2 at Washington on Saturday night, and are in contention to earn the Eastern Conference's top seed. At 46-23-8, Buffalo is riding a 35-9-4 surge that has vaulted the team after sitting last in the East in early December.

The turnaround has been remarkable for a franchise that through Saturday has gone 5,458 days since the Lindy Ruff-coached team lost Game 7 of a first-round series to Philadelphia on April 26, 2011.

“Obviously unbelievable. I’m happy for the city, I’m happy for all the guys that have been grinding here for years, like the equipment managers, trainers, my teammates ... wow, it’s going to be special, that’s for sure,” captain Rasmus Dahlin said.

In the ensuing years, the Sabres have finished last overall four times and are on their seventh coach, with Ruff back for a second stint, and their fourth general manager, Jarmo Kekalainen.

Buffalo’s run up the standings coincided with Kekalainen being promoted from his position as senior adviser on Dec. 15, replacing Kevyn Adams, who was fired after five-plus seasons.

The Sabres already had won three straight when the change occurred and proceeded to go on a franchise record-matching 10-0 run. They’ve not looked back since. Buffalo is 14-4-2 since returning from the Olympic break, and the team’s worst stretch since December has been a 0-1-2 skid.

“The guys have worked so hard to get to this point,” Ruff said. “Every month has been pretty darn consistent, and we played a good brand of hockey. We’ve gotten rewarded for how hard we’ve played.”

Though Adams’ firing played a role in spurring the team, so did Buffalo getting healthier.

The Sabres’ top two lines were replenished with the return of Josh Norris and Jason Zucker, and their goaltending got a boost with Ukko-Pekka Luukkonen shaking off an early season injury to resume sharing the starting duties with Alex Lyon. After opening the season 4-5-1, Luukkonen has gone 15-4-2 since Dec. 21.

“I find that we deserve to be where we’re at. ... From where we were at the start of December to where we got, asked a lot of the players and got a lot back,” Ruff said.

Kekalainen also added depth at the trade deadline last month by acquiring center Sam Carrick, forward Tanner Pearson and defensemen Logan Stanley and Luke Schenn.

The team is led by two of its longest-tenured players: Dahlin, the No. 1 pick in the 2018 draft, and forward Tage Thompson, who was acquired in a trade that sent Ryan O’Reilly to St. Louis in the summer of 2018.

Dahlin ranks sixth among NHL defensemen with 69 points, while Thompson is tied for 11th among all skaters with 38 goals.

The next test for Buffalo is winning a playoff series, something the team hasn’t done since beating the Rangers in six games in the second round in 2007.

The turnaround has revived a fanbase that had grown weary with losing, various rebuilding plans that failed to generate a winner and a revolving door of talent being shuffled in and out of Buffalo — from O’Reilly’s departure to Jack Eichel being dealt to Vegas in November 2021 following a lengthy standoff over how to repair a neck injury. Each went on to win the Stanley Cup with his new team.

The Sabres have not hoisted the Cup through their first 54 seasons of existence.

“It’s something that we’ve worked hard for for a long time to be able to get into the postseason,” Thompson said. “It felt good.”

“I’m really proud of the group,” Alex Tuch added. “It’s been a long time coming.”

Buffalo has had 21 home sellouts this season, including 15 in a row, a year after selling out just five games.

This season, the Sabres have shown resolve in rallying back from deficits. Buffalo entered Saturday with 19 come-from-behind wins, tied for seventh in the NHL. That included defeating Tampa Bay 8-7 last month after trailing 7-5 with nine minutes left in regulation.

The Lightning also clinched Saturday, before beating the Bruins, for their ninth consecutive appearance and 12th in 13 years.

Dobrick announced his coming out via an Instagram post on his personal account , writing, “Same coach as yesterday.” He explained that he had known he was gay since his teenage years but had hidden it during his professional career, which left him mentally exhausted. The post reflected a sense of relief, marking a significant personal milestone for the coach.

FC St. Pauli responded promptly and affirmatively to Dobrick's announcement. In an official statement, the club said: “We naturally stand behind him and his coming out. Because it’s really quite simple and should apply to everyone: Love whomever you want.” This immediate backing underscores St. Pauli's reputation for progressive values, including strong advocacy for LGBTQ+ inclusion in sports.

The event has drawn attention within LGBTQ+ sports communities for its potential to inspire greater visibility. Outsports highlighted Dobrick's announcement as a landmark moment, noting it positions him as a trailblazer among professional soccer coaches in Germany's top league. PinkNews reported the story under its sports and LGBTQ+ coverage, emphasizing the club's supportive role as a model for other teams.

Dobrick's role involves working with St. Pauli's first-team coaching staff in the Bundesliga, Germany's premier professional soccer league. The club, known for its fanbase's activism on social issues, has a history of promoting diversity, which aligns with its response to Dobrick. No negative reactions from players, fans, or league officials have been reported in initial coverage.

For LGBTQ+ individuals in sports, Dobrick's openness addresses longstanding challenges around visibility and mental health. His statement about exhaustion from concealment highlights pressures faced by gay professionals in male-dominated fields like soccer coaching. Community outlets have framed this as progress toward normalizing LGBTQ+ identities in elite European football.

As of March 25, 2026, coverage continues to emerge, with both outlets confirming the core details through Dobrick's social media and the club's statement. This event occurs amid growing calls for inclusivity in global sports, potentially influencing discussions in other leagues. St. Pauli's stance may encourage other LGBTQ+ coaches and athletes to share their truths.

But then again, he might not be hiding it at all. As you scroll through his Instagram feed you realize his personality is what makes him attractive and his sexiness comes second.



It feels like bonus content. Along with his charm and sex appeal he leans into storytelling — road trips, workouts, music. 



He even has a pop/EDM single called “Pump It Up.” Knox’s sexual energy doesn’t drive his content but it’s still enticing. 



He’s entering his 40th year around the sun which doesn’t classify him as a silver fox yet, but middle age on him is just as sexy.



He doesn’t oversell the moment, which allows our minds to go wild with curiosity. How intimate is he when he’s not playing it cool? 



Shirtless shots, provocative poses that don’t feel too randy and a non-static personality is what keeps his audience engaged and gives his brand real staying power.

Visually, his page taps into the “cub” aesthetic within queer culture—celebrating body hair, strength, and softness all at once—while also inviting us to see his travel moments and glimpses into his personal life. 



His recipe for engagement is a mix of thirst, lifestyle, and authenticity. 



Kylian’s captions, ranging from progress updates to tongue-in-cheek commentary like “biceps are bicepsing,” give his feed a personality that feels less like a rigid gym rat and more like a conversation over drinks at a dinner party. 



His feed isn’t just about building muscle; it’s about building confidence, community, and a sense of self that doesn’t take itself too seriously.



So far, Kylian’s got over 10,000 followers so he is definitely on the rise and if he keeps inspiring people through sexy selfies and cheeky captions, he’s likely to gain a lot more. 



It’s a knowing glance, that  half-smirk, and a body that invites admiration without begging for it that brings everyone back for more. 

The event marked Baena's entry into the sport that defined his father's career, as Schwarzenegger, a seven-time Mr. Olympia winner, revolutionized bodybuilding in the 1970s. Baena competed in a "natural" competition, meaning drug-tested divisions emphasizing clean athleticism, and dominated the Men’s Open Bodybuilding Heavyweight Class, Men’s Classic Physique True Novice, and Men’s Classic Physique Novice categories. He also earned second place in the Men’s Classic Physique Open Class C, rounding out a highly successful debut.

Following the competition, Baena shared photos on Instagram , flexing on stage in his posing trunks, with the caption "Mission accomplished." The 28-year-old's performance generated buzz in the fitness community, with observers noting his striking resemblance to Schwarzenegger and his commitment to natural bodybuilding.

Schwarzenegger, now 78, was actively involved in his son's preparation, personally coaching him at the iconic Gold’s Gym Venice Beach in California. Videos captured the pair working on posing drills, a critical aspect of bodybuilding competitions where athletes showcase muscle definition, symmetry, and stage presence. Baena has shared that his father advised him to "shock the muscles," a classic training principle emphasizing varied workouts to promote growth.

Baena's path to the stage reflects a blend of personal determination and familial influence. Ahead of the event, TMZ Sports reported that the 28-year-old had been training rigorously for his debut at the NPC Natural Colorado State competition, set for that Saturday. This preparation came after Baena overcame past fitness challenges, positioning himself to train alongside one of bodybuilding's most storied figures.

Schwarzenegger shares Baena with Mildred Patricia “Patty” Baena, distinct from his four children with ex-wife Maria Shriver. Despite the unconventional family dynamic, Baena has publicly embraced his heritage, stepping out of the shadows to pursue bodybuilding. His debut coincided with the Arnold Classic UK, amplifying attention as fans drew parallels between father and son.

The NPC Natural Colorado State Championships emphasize natural athletes, distinguishing it from other federations by requiring drug testing to ensure fairness. Baena's success in multiple divisions—spanning open bodybuilding and classic physique—highlights his versatility, with classic physique focusing on a balanced, aesthetic physique reminiscent of bodybuilding's golden era.

Fitness enthusiasts and media outlets praised Baena's debut as impressive, particularly for choosing a natural show amid a sport sometimes criticized for performance-enhancing drug use. Coverage from Fox News highlighted Schwarzenegger's hands-on role, noting how the 78-year-old legend returned to coaching mode at Gold’s Gym, fueling speculation about Baena's potential to follow in his footsteps.

Men's Journal reported Baena's multiple wins, underscoring the "mission accomplished" sentiment from his social media post. Art Threat described the event as sparking excitement across the fitness world, with Schwarzenegger present courtside, creating undeniable buzz. YouTube channel Nick's Strength and Power provided detailed analysis, confirming Baena won three out of four categories in a natural context.

This achievement occurs within a bodybuilding landscape where natural competitions like the NPC Natural series promote health-focused athleticism. Baena's entry adds to the sport's celebrity allure, echoing Schwarzenegger's own rise from Austria to global stardom. While the story centers on family legacy and athletic accomplishment, it resonates in fitness communities valuing discipline and genetics.

No direct LGBTQ+ perspectives tie to this event, as verified across sources; however, bodybuilding's inclusive spaces welcome diverse athletes, including transgender people and others in the LGBTQ+ community, fostering affirming environments through person-first language and equitable competition rules.

Baena's debut solidifies his place in a storied lineage, with eyes now on future competitions. Sources confirm the event's recency and details through primary reporting and video evidence, cross-checked for consistency.

Graceffa, who rose to fame on YouTube in the early 2010s with gaming videos, vlogs, and storytelling content, teamed up with fellow YouTube Meghan Camarena for the global race around the world. The duo navigated challenges across multiple countries, competing for a $1 million prize. Despite the adventure, Graceffa has now revealed that behind the scenes, the experience took an emotional toll, particularly due to interactions with production staff who knew about his private struggle with his sexual orientation.

In a detailed interview, Graceffa recounted a specific conversation with a producer who directly suggested he use the show as his coming-out moment. "The Amazing Race was a lot of fun, but it was truly traumatizing. It's crazy. They wanted me to come out on the show!" Graceffa stated. He further quoted the producer as saying, "You should come out on the show," to which Graceffa reportedly replied, "I'll come out if you write me that USD 1 million check at the finish line!" The creator emphasized that he was not prepared for such a public revelation at the time, noting, "That didn't happen. I would not have been ready back then."

This revelation comes more than a decade after the season aired, during which Graceffa and Camarena placed fifth overall. The show's format, known for its high-stakes challenges, physical demands, and interpersonal drama, often amplifies personal stories for viewer engagement. For LGBTQ+ contestants like Graceffa, who was still privately grappling with his identity, such pressures could exacerbate internal conflicts.

Graceffa's path to public LGBTQ+ advocacy was marked by careful timing and personal growth. He publicly came out as gay in a heartfelt YouTube video on May 16, 2015, titled "Don't Wait," which amassed millions of views and resonated deeply with his young fanbase. In reflections shared recently, Graceffa explained why delaying his announcement until after 'The Amazing Race' was crucial for his well-being. "Waiting until 2015 allowed me to share his story on his own terms," he noted, underscoring the importance of autonomy in personal disclosures for gay men navigating fame.

Since coming out, Graceffa has built a multifaceted career, including authoring young adult fantasy novels like the Children of Eden series and his 2026 release The Twelve, and producing the award-winning YouTube series Escape the Night. While he announced a high-profile split from long-term partner Daniel Preda in 2020, his continued openness has positioned him as a prominent role model for gay men and the wider LGBTQ+ community seeking authentic representation in media. Graceffa's recent comments revive vital conversations about the ethical responsibilities of reality TV producers toward the mental health and autonomy of queer contestants.

Graceffa's account is not isolated within the reality TV landscape. Shows like 'The Amazing Race,' which has aired since 2001 and is produced by Emmy-winning team Bertram van Munster and Jerry Bruckheimer, have featured numerous LGBTQ+ participants over 35+ seasons. However, instances of alleged coercion or sensationalism have surfaced periodically. For example, other queer reality stars have spoken about producers amplifying personal dramas for ratings, though 'The Amazing Race' has generally been praised for its focus on competition over confessional-style gossip.

In Graceffa's case, the pressure reportedly stemmed from producers sensing his internal conflict and viewing it as compelling narrative fodder. He described the overall experience as "messy," a sentiment echoed in broader critiques of how reality formats can blur lines between entertainment and exploitation, particularly for individuals from marginalized communities like gay men.

CBS has not publicly responded to Graceffa's claims as of the latest reports. A spokesperson for 'The Amazing Race' could not be immediately reached for comment, but the show's long-standing reputation includes multiple Emmy wins for Outstanding Reality-Competition Program.

Graceffa's story sheds light on ongoing challenges for LGBTQ+ individuals in high-visibility media. By sharing his experience now, he advocates for greater sensitivity from producers toward contestants' personal timelines for disclosure. "Reality TV can be so messy," Graceffa observed, pointing to the potential psychological impact on participants who are outed or pushed prematurely.

For many in the LGBTQ+ community, Graceffa's decision to wait until 2015 exemplifies person-first agency, allowing him to control his narrative amid a growing wave of queer YouTubers like Tyler Oakley and Gigi Gorgeous. His reflections contribute to dialogues on consent, trauma, and ethical storytelling in entertainment, especially as streaming platforms increasingly feature unscripted content.

The timing of these disclosures aligns with heightened awareness of mental health in entertainment. Graceffa's use of "traumatizing" underscores the lasting effects of such pressures, resonating with transgender people and others who have faced similar media scrutiny.

Joey Graceffa’s account of his time on The Amazing Race is not isolated within the reality TV landscape. Shows like The Amazing Race, produced by the Emmy-winning team of Bertram van Munster and Jerry Bruckheimer, have featured numerous LGBTQ+ participants over 36+ seasons. However, Graceffa’s recent March 2026 interview with Out Magazine has brought alleged instances of production coercion back into the spotlight.

In Graceffa’s case, the pressure reportedly stemmed from a producer sensing his internal conflict and viewing it as "compelling narrative fodder." Graceffa described the experience as "truly traumatizing," a sentiment echoed in broader critiques of how reality formats can blur the lines between entertainment and exploitation—particularly for individuals from marginalized communities.

Following his time on the show, Graceffa expanded his brand significantly. His 2015 memoir, In Real Life: My Impossible Road to Manhood, detailed his pre-coming-out struggles, and he eventually came out on his own terms in a 2015 YouTube video. Today, he maintains a massive digital presence with over 9 million subscribers on his main channel, producing content focused on lifestyle, gaming, and his popular series Escape the Night.

Graceffa’s recent candor has sparked widespread social media discussion, with fans on platforms like Instagram praising his resilience and his decision to prioritize his mental health over a television storyline.

As The Amazing Race continues, Graceffa’s account serves as a critical reminder of the human element behind the competition. It prompts vital questions about production practices and the need for robust support systems to ensure that LGBTQ+ contestants can participate without compromising their personal journeys or being pressured into premature public disclosures.